Thunderbolts Review: Marvel’s Grittiest & Most Human Superhero Movie Yet

Ever since Avengers: Endgame wrapped up Marvel’s massive Infinity Saga in 2019, things have felt… different. The studio hasn’t stopped making movies, sure. But let’s be honest—it’s not been the same. The buzz around each release isn’t quite as loud. The shared universe feels less connected. For many fans, the magic seemed to fade after Iron Man, Thor, and Cap stepped aside.

But here comes Thunderbolts—with an asterisk and a whole lot of attitude—to give the MCU a needed jolt. It’s gritty. It’s smaller in scope. And honestly? It’s the most fun the Marvel universe has had in years.

What Makes Thunderbolts So Different?

Thunderbolts isn’t trying to be the next galaxy-spanning epic. There’s no multiverse to save. No purple alien wiping out half of existence. This is a ground-level, spy-thriller kind of movie. Messy. Funny. Human.

It’s about a bunch of broken ex-agents. People who were once part of secret government operations—and are now seen as liabilities. Instead of world-saving heroes, we get a bunch of screw-ups trying to survive their own employers.

Think The Bourne Identity… but make it a group project. A very dysfunctional one.

Who Are the Thunderbolts Anyway?

The team is made up of the most unlikely misfits. And that’s what makes it work.

  • Yelena (Florence Pugh) – Natasha Romanoff’s little sister. A trained killer with a dry sense of humor and deep emotional wounds.
  • Red Guardian (David Harbour) – Her washed-up dad figure, who still thinks he’s Russia’s answer to Captain America.
  • Winter Soldier (Sebastian Stan) – The brainwashed war hero who still feels out of place in modern times.
  • John Walker (Wyatt Russell) – He was supposed to be the new Captain America. That didn’t work out so well.
  • Bob (Lewis Pullman) – Another failed super-soldier, more confused than confident.
  • Ghost (Hannah John-Kamen) – A human experiment gone wrong. She’s a little underwritten, but adds edge to the group.

All of them have pasts they regret. All of them are connected to one manipulative villain: Valentina Allegra de Fontaine, played to perfection by Julia Louis-Dreyfus. She’s cold, sharp, and surprisingly funny—just like you’d expect from a Veep star turned Marvel puppet master.

What’s the Plot About?

In short? Val wants to erase every trace of her shady black ops past—including the people who helped carry them out.

So now the Thunderbolts are on the run. At first, they’re not exactly a team. They bicker, fight, and argue constantly. But somewhere along the way, they realize they need each other to stay alive.

It’s a classic setup—rogues learning to trust each other. But here, it feels fresh, thanks to the rough edges and clever writing. And no, they’re not totally sold on the name “Thunderbolts” either. That’s where the asterisk in the title comes from. It’s a placeholder. Just like the team itself—still figuring out who they are.

Do You Need to Know the MCU to Watch This?

It helps. Some of these characters come from Black Widow, The Falcon and the Winter Soldier, and other Marvel shows and films. But even if you haven’t seen all of those, the movie gives you enough context to follow along.

What matters more is the vibe. It’s fast-paced and focused. There’s no jumping to distant planets or sudden detours. Everything happens within a grounded, contained world. That makes it easier to follow—and more enjoyable.

Is the Action Any Good?

Mostly, yes. This isn’t a visual effects overload like Eternals or Doctor Strange. The action is tighter. Grittier. More hand-to-hand combat than cosmic explosions.

There are some familiar-looking chase scenes and shootouts that you might’ve already seen in the trailers. But they’re well done. And the emotional weight behind them gives the action more meaning.

The final showdown feels a bit rushed. But there are some trippy, surreal moments that nod to movies like Being John Malkovich and Eternal Sunshine of the Spotless Mind. Not what you’d expect in a Marvel flick.

What About the Performances?

Florence Pugh steals the show. Again.

She brings real emotion to Yelena. One moment she’s making you laugh with dry one-liners. The next, she’s breaking your heart. Her chemistry with David Harbour’s Red Guardian is golden. They fight like family, love like family, and keep the movie grounded.

Everyone else pulls their weight too. Sebastian Stan, Wyatt Russell, and Julia Louis-Dreyfus all give layered performances. Even the characters who don’t get much screen time still feel like real people.

Does Thunderbolts Fix Marvel’s Post-Endgame Problem?

Kind of, yeah.

It doesn’t try to copy the old formula. There’s no forced connection to 10 other movies. No massive setup for the next phase. Instead, it’s just a tight, character-driven story with heart, humor, and enough chaos to keep things moving.

It proves that Marvel doesn’t need bigger stakes to keep people interested. It just needs better characters—and better writing.

So… Should You Watch It?

If you’re burned out on Marvel, Thunderbolts might be what pulls you back in.

It’s not perfect. Some parts feel a little familiar. And if you haven’t followed every Marvel show, you might miss a few references. But the story still works. The characters shine. And it doesn’t try to do too much.

At the end of the day, it’s a story about broken people trying to do one thing right. And that’s more powerful than any glowing Infinity Stone.

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